Looking forward to a great weekend in Minneapolis- St. Paul! :-)
Emily L. Byrne is an erotica and erotic romance writer from the scenic Midwest. Her stories have appeared in such venues as FORBIDDEN FRUIT, BLOOD IN THE RAIN V.3, FIRST, YEAR'S BEST LESBIAN EROTICA: 20th ANNIVERSARY ED. and WITCHES, PRINCESSES AND WOMEN AT ARMS. Her books MEDUSA'S TOUCH, KNIFE'S EDGE and DESIRE are all available from Queen of Swords Press.
Friday, June 27, 2014
Wednesday, June 18, 2014
News from Cleis Press
Cleis Press is launching a new erotic romance imprint. Here's hoping it'll be F/F friendly! http://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/62927-cleis-launches-erotic-romance-imprint.html#path/pw/by-topic/industry-news/publisher-news/article/62927-cleis-launches-erotic-romance-imprint.html
Thursday, June 12, 2014
Writing Sex Scenes and Erotica Panel for MinnSpec
Last weekend, I participated in a panel on writing sex scenes and erotica with authors Elise Matthesen and Devin Harnois. MinnSpec is a Twin Cities science fiction, fantasy and horror writing and social group. They did a great job hosting! Lots of great questions and food for thought. :-)
Sunday, June 1, 2014
Guest Blog Post: Author/Editor Cheyenne Blue on "Pronoun Hell"
Pronoun Hell
There is a special torture for writers of
same sex erotica and romance which doesn’t affect writers of heterosexual
romance. Pronoun hell.
It’s hard enough writing sex scenes as it
is. Keeping track of whose hand is on what body part, whose fingertips are
walking, strumming, dancing on whose breast, thigh, belly. More than once, when I’ve been editing
my own story, I’ve realized that one of my character’s hands is in her lover’s
hair, the second is smoothing the skin of her lover’s thigh, and the third hand
is running over her lover’s shoulders. It reminds me of that scene in Galaxy Quest where the alien tentacles
come bursting out of the human skin to engulf their lover in passion.
But if your lovers are the same sex, you have to allow for the
ambiguous “her”, especially if there are more than two participants in the
scene. Consider this heterosexual
love scene.
A swift indrawn breath from beneath her and then
he grasped her bottom with both hands, pulling her cunt down on his mouth. She
gave herself over to the tongue on her pussy, the speed, the dexterity, how
damn good it was. Her thighs, slippery with sweat, locked around his head and
more hair escaped from the hasty twist she’d shoveled it into, clinging
stickily to her neck. His tongue must be getting tired, but her lover didn’t
let up. Flick, lap, moving across her cunt, dipping into her folds, every
crease and valley.
Even though it’s only “he” and “she”
there’s no confusion about what body parts belong to whom. Of course it’s easier too when the
participants have different parts where it matters. But if they are both she, if they both have pussies, then
that scene won’t work as written:
A swift indrawn breath from beneath her and then
she grasped her bottom with both hands, pulling her cunt down on her mouth. She
gave herself over to the tongue on her pussy, the speed, the dexterity, how
damn good it was. Her thighs, slippery with sweat, locked around her head and
more hair escaped from the hasty twist she’d shoveled it into, clinging
stickily to her neck. Her tongue must be getting tired, but her lover didn’t
let up. Flick, lap, moving across her cunt, dipping into her folds, every
crease and valley.
Holy moly, that’s both confusing and laughable—not necessarily in that
order. I wish I could lock my
thighs around my head and lick myself where it mattered. Okay, I wish I were a cat. ;)
When you’re writing same sex erotica, you have to be more
specific. Yes, it means using
names more often which doesn’t flow as smoothly, but it’s better than having your readers howling with laughter because
they’ve interpreted your character as a mutant contortionist.
An alternative to using names is to use labels: “the blond pilot”,
“the nurse”, “the older woman”. Used sparingly this works well; used too
frequently and it’s annoying and cumbersome.
A friend
has a collection of little rubber people figures. She acts out the sex scenes
in her writing, like a plasticine twister: blue man’s right hand on red woman’s
left hip; red woman’s right foot on back of blue man’s thigh. That might be further than you want to
go, but her characters never have the wrong number of extremities.
Right now, I’m sifting through submissions for my upcoming anthology
“Forbidden Fruit: stories of unwise lesbian desire”. And yes, even in the most
polished, professional manuscripts pronoun hell can rears its ugly head.
Here’s the final version of the example scene earlier. It’s taken from “Outback Christmas”
which appeared in “A Christmas to Remember” published by Ladylit last December.
A swift indrawn breath from beneath her and then
Casey grasped Simona’s bottom with both hands, pulling Simona’s cunt down on
her mouth. Simona gave herself over to the tongue on her pussy, the speed, the
dexterity, how damn good it was. Her thighs, slippery with sweat, locked around
Casey’s head and more hair escaped from the hasty twist she’d shoveled it into,
clinging stickily to her neck. Casey’s tongue must be getting tired, but her
lover didn’t let up. Flick, lap, moving across her cunt, dipping into her
folds, every crease and valley.
“Forbidden Fruit: stories of unwise lesbian desire” edited by Cheyenne
Blue will be published by Ladylit in late August 2014,
Cheyenne Blue’s erotica has appeared in over 90 anthologies
including Best Women's Erotica, Cowboy Lust, Best Lesbian Romance, Lesbian
Lust, and Frenzy:60 Stories of Sudden Sex. She lives and writes by the beach in
Queensland, Australia. Visit her website at http://www.cheyenneblue.com
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